Thursday, May 31, 2012

MORTAL FREE GIVEAWAY!


For those of you who are Ted Dekker and Tosca Lee fans…BIG NEWS!

They are doing another giveaway TODAY! If you go to Dekker’s Facebook page (http://www.facebook.com/teddekker) LIKE his post about the giveaway then SHARE the video.

That’s all you’ve gotta do!

The winners will be announced by 5:00pm ET TODAY! So if you want in, get going!

Here’s the video to share and to watch:
http://www.youtube.com/watch?v=tcpNwJeFnqk&feature=youtu.be

Wednesday, May 30, 2012

The Distinguished Talent of Artful Horror

I’m always intimidated to start a Stephen King novel. I mean, come on, it’s Stephen King.

His books usually take a little time for me to get in the rhythm of reading. You know, that niche you find when you just can’t stop reading. King’s work is heavy; there are a lot of details to take in. It’s not a turn-off, just takes me a bit longer, but I always find it.

I can trust King in the regard.

Bag of Bones was no different. It started off with a slow build; gradually, the true horror of the story revealed itself and didn’t bother to take a break. At first, I kept waiting for the good stuff to happen. I wasn’t upset with the book, I was still compelled to read on, but I felt like King wasn’t dealing out the terrifying factor as fast as he should be. Soon, (and maybe too soon, now that I think about it) I realized I was more scared then I have been from a book in a long time.

I actually put the book down for a minute to comprehend just how scared I was.

All at once I was terrified, amazed, and dumbfounded by Stephen King. He’d done it, once again.

How had he utterly freaked me out without my knowledge?

(I didn’t even know that was possible.)

Suddenly, I found the walk from my bedroom, through our living room, to the bathroom, a tad more than I could handle without sufficient lighting. I found that I became nervous if one of my arms or legs happened to be hanging over the edge of my bed. The last time I felt like that I was 6 years old and my uncle had just brought by his catch of the day (a ginormous blue shark), ergo igniting my life-long fear of sharks. Lying in bed, I was horrified a shark would be tempted out of the floor by one of my dangling limbs.

How had King re-manifested this fear without me even knowing he was doing it?

Subtlety.

The glorious act of subtlety.

Bag of Bones isn’t composed of “believable-only-in-context” terrors or over-the-top horror novelties. It’s strung together by real-life fears and phobias. The horror of Bag of Bones lies in simple occurrences twisted into a wider web of overpowering uneasiness. It’s an astounding take on the quintessential ghost story. Instead of an outrageous monster ransacking a city, King uses small town secrets, refrigerator magnets, thumps from the basement, and connections to those who’ve passed to construct a trap where the reader is progressively (and gently) lured into a fear they can’t escape.

(I don’t even believe in ghosts.)

Bag of Bones takes place in Maine following a man named Mike Noonan. Mike has made a living writing novels and has built quite the life for himself and his wife, Johanna. However, when Jo dies tragically and unexpectedly, Mike is left to his work. Four years later he decides to break away from his life in Derry and moves back to his lake house, Sara Laughs, in Maine. While the change of scenery seems to fix his problems, Mike soon finds himself in that same inescapable trap of fear.

The intricacy of this novel astounds me. For about two-thirds of the book I had absolutely no idea what was going on. I was entangled in a story that unfolded around me, allowing me to see bits and pieces of a great picture still mostly invisible. If you like a good story that leaves you guessing till the last few chapters then definitely pick up a Stephen King novel. His talent for this continues to amaze me.  

61! Wow, Congrats King.

So it may not be news, but this is the first I’m hearing of it, so I thought I’d pass it along.

While I’m sitting here reading away, book after book, letting summer go by slow. One of my ALL-TIME favorite authors Stephen King is working on a new crime novel titled Joyland. It’s apparently a thriller set in North Carolina in an amusement park.

The new book is going to be released in June 1013 (personally, I’m marking the calendar).

For more information you can check out The New York Times blog:


Tuesday, May 29, 2012

More News on Mortal!



So Dekker and Lee are setting off soon for their book tour. (One week according to Dekker's Facebook page.) Too see where they're headed, follow the link below.

http://www.facebook.com/teddekker/events

If that doesn't work, visit Dekker's Facebook page, he's got the link posted there. Now, if only they were coming closer to me...

Don't forget you can still pre-order Mortal on Amazon.com: http://www.amazon.com/Mortal-The-Books-Mortals-Dekker/dp/1599953587/ref=sr_1_4?ie=UTF8&qid=1338332244&sr=8-4

For more info visit 
http://www.hachettebookgroup.com/features/mortal/

Sunday, May 27, 2012

Not My Cup of Tea

Ever since reading The Hunted, Mike Dellosso has become a top pick of mine in the horror world. Darlington Woods, while many found it extremely well written and executed and it does have a strong sentimental value to Dellosso, just didn’t quite do it for me. While I enjoyed it, and it was a good story, it just wasn’t my favorite of his.

At first glance, the story and plot line appeared exciting and unique; I hadn’t heard of a book quite like it. I loved the idea behind it. I guess, for me, the fault falls within the details. The way Dellosso actually played out the plot line.

However, I am overjoyed to tell you that I can’t say one thing about any detail I did or did not like. One slip of my tongue and the entire book is ruined. Leaving you no reason to go out and buy it yourself, consequently supporting one of my most-liked authors. I love books like that. They leave you with that certain temptation to tell your closest friends exactly what happens, coupled with that gratifying agony of knowing you can’t say a word.

I will indulge and relay a short summary: Robert Shields just lost his wife and son about three months before the beginning of his story. The two were kidnapped at a local fair. Eventually the detective finds the body of Rob’s wife; shortly after, a body is found and identified as his son. Rob now suffers from hallucinations of Jimmy (his son) that slowly convince him Jimmy is still alive somewhere, waiting to be rescued.

We see Rob’s determination incessantly rebuild over and over again as he takes hit after hit, trying to make life normal again. Along with Rob’s mental battles, Dellosso throws in some spiritual warfare to top it all off. As I said, I can’t go much father into detail, one fatal mishap and it’s all ruined. Sounds enticing doesn’t it?

As Rob’s quest to find Jimmy continues, he’s introduced to Julianne (Juli for short), who was easily my first choice for best character. Juli’s sarcasm had two main functions, 1) a trustworthy source of comical relief and 2) acting as a constant reminder to think of the characters as actual people. It had an additional function as common ground where I could personally relate to her, being so sarcastic myself. I thought Rob displayed everything you would expect a man to after losing his wife and supposedly losing his son. Take for example, his blur between reality and self-comfort, his overwhelming desperation to find his son, and his willingness to go to any length at any risk.

I appreciated the fact that being a quick read didn’t hamper the story. However, my adoration and love for this book only runs so deep. Which results in my being quite confused on how I truly feel about Darlington Woods.
My confusion lies in this: realistic and reliable characters, a plot line with outstanding potential, and a talented author behind it all. Yet, still, with all these pros, something just didn’t work for me.

Some scenes became too “classic” (I guess that’s the right word) for me. Sort of like when you’re watching a horror movie and you see a scene or a twist that’s been done so many times it no longer has the original intended effect. I’m not saying the story has been overdone, not at all. More or less what I mean is that every now and then a specific scene would come along that tottered between the lines of too classic and totally new.

Almost as if he didn’t make EVERY scene is own. (Which is extremely vital in my opinion.) It’s not his writing that’s at fault; instead, he seemed to not take full advantage of each scene.

In Darlington Woods, Dellosso uses a ton of “special effects”. As they played out in my head, some just came across as too cheesy. Hopefully, you see that this flaw could be completely my own; not everyone’s going to picture it the way I did. (Hah! Another pro!) Each person who reads Darlington Woods will fill in the gaps; no one can picture exactly what Dellosso intended. No two people will see the same image or perceive the same sense from the same page. In my case, I automatically saw them as I would see them in a movie; a cool though, but a tad cheesy in production.

I’m not going to say it was a terrible book; it really wasn’t at all. I’m not going to tell you to boycott it and never even think about picking it up. Like I said, Dellosso has become a preferred author in my eyes. It’s simply not my cup of tea this time around.

Friday, May 25, 2012

What Went Wrong?

I’m not usually one to completely disagree with a book.

I mean, a sentence here or there, one or two details, maybe it wasn’t scary enough, minor things sure; I’ll make my opinion known. But rarely do I open up and flat out disagree with how an author chooses to write their story.

But there are exceptions.

Sorry to all the mainstreamers who follow the crowd to keep up with the latest teenage craze, but the most recent exception to my usual tactfulness around books is the all-adored Hunger Game series.

With all the controversies of a savage world where children are brutally maiming and killing each other off, “all-adored” is kind of a stretch. But you have to admit it has built quite the fan base for itself.

I was weary of reading the first book because of how fast it took over the teenage population. I like the hidden treasures, the ones nobody else thought would be worth the money. After finishing it in just over a day, I was hooked. I couldn’t believe that somehow all the violence and the cruel, sadistic world became a fascinating story of freedom fighters and romance.

Another “pro” to The Hunger Games was how Collins could create such empathy for a character that obviously didn’t deserve it. Seriously, whether or not you’ve read the book, go and look it over; try to decipher why Katniss Everdeen deserves our empathy. At first, yes, maybe, but the real talent is how Collins maintains that empathy even as Katniss changes and transforms.

So there you have it, the first book was, in fact, the amazing, addicting, absorbing story that everybody told me it would be.

So where did Collins go wrong?

What made me so absolutely furious?

(I mean so furious that I didn’t tell anyone I’d finished the series, I wouldn’t talk about it; I simply put it down and calmed myself out of the enraged state it had brought me to.)

I had heard that people were having trouble with the second book until they got around to about the halfway point. I completely agree with this; I won’t get into details, but I will say it took Collins a couple chapters to get to the good stuff. You can judge for yourself whether or not you think the beginning was important. I think in the end, it kind of worked; however, overall, it was still a let down.

Basically, The Hunger Games and Catching Fire gave me false hope. After they ended I thought, “Wow! This is great! I can’t wait to see how Collins pulls it all together. I mean, with all the twists and turns so far, the ending HAS to be good.”

Well… There it is. I had finally found it. Suddenly, I knew where Collins went wrong.

She gave up.

Not our beloved Katniss Everdeen, but Collins, the author herself.

When you read these books, you’ll find that big questions are raised. Collins taunts you with them throughout the entire series, dangling the answers just out of reach. This tactic helps propel you through the story even if you don’t actually agree with it, or find good portions of it really boring. All you want is the answers. In the third book, Mockingjay, I feel like Collins wrote it in during that state of mind where you’re not actually asleep and you’re not fully awake. Like when a side effect of a drug is drowsiness and they warn you not to operate heavy machinery.

To me, I got the sense that Collins didn’t know the answers herself. Which is perfectly okay, great novelists often don’t know the ending until they get to it, edit it, revise it, rethink it, and finally go through the whole thing again. On the contrary, in Mockingjay, it seems like Collins just picked the easiest answer, wrote it down, and sent it off. Leaving me with the idea that Collins didn’t actually care how it ended, which in turn, made me not care for how she finished it.

Now I’m not saying Collins can’t write. I would be stupid to do so. The Hunger Games is enough evidence to refute that statement a hundred times over. What I am saying, is that maybe, just maybe, she should have either quit while she was ahead, disregarded the third book entirely, or actually gotten some good nights sleep before she wrote it. Throughout the series all that ever happens is the high-energy, fast-paced, unexpected. Collins went wrong by giving us an ending that is well, quite unexciting and rather expected.

You’re each going to have to judge for yourself; maybe the ending works for some people. As for me, and what I expect from a book, it just wasn’t enough. I would take the time to go into more details, but I love reviewing books and I’d rather not get labeled as a “spoiler”. In the end, The Hunger Games gets an A, Catching Fire walks away with a solid B-, and poor old Mockingjay has to live with a C. Since the story did have some great writing and mainly faltered by not adequately answering the questions, I wouldn’t grade Mockingjay any lower.

Pre-Order Mortal Now!


So I’m back!

Sorry for the break, but I return bearing good news of great joy!

Ted Dekker and Tosca Lee have released their newest addition to The Books of Mortals series. Mortal is now available for pre-order on Amazon.com.

Now, if you want it at the cheaper price get it soon. According to Amazon.com the title will officially be released June 5.

I haven’t finished the first book, Forbidden, but from what I’ve read, this is a series you won’t want to miss.