Ever since
reading The Hunted, Mike Dellosso has become a top pick of mine in the
horror world. Darlington Woods, while many found it extremely well
written and executed and it does have a strong sentimental value to Dellosso,
just didn’t quite do it for me. While I enjoyed it, and it was a good story, it
just wasn’t my favorite of his.
At first
glance, the story and plot line appeared exciting and unique; I hadn’t heard of
a book quite like it. I loved the idea behind it. I guess, for me, the fault
falls within the details. The way Dellosso actually played out the plot line.
However, I am overjoyed
to tell you that I can’t say one thing about any detail I did or did not
like. One slip of my tongue and the entire book is ruined. Leaving you no
reason to go out and buy it yourself, consequently supporting one of my
most-liked authors. I love books like that. They leave you with that certain
temptation to tell your closest friends exactly what happens, coupled with that
gratifying agony of knowing you can’t say a word.
I will indulge
and relay a short summary: Robert Shields just lost his wife and son about
three months before the beginning of his story. The two were kidnapped at a
local fair. Eventually the detective finds the body of Rob’s wife; shortly
after, a body is found and identified as his son. Rob now suffers from
hallucinations of Jimmy (his son) that slowly convince him Jimmy is still alive
somewhere, waiting to be rescued.
We see Rob’s
determination incessantly rebuild over and over again as he takes hit after
hit, trying to make life normal again. Along with Rob’s mental battles,
Dellosso throws in some spiritual warfare to top it all off. As I said, I can’t
go much father into detail, one fatal mishap and it’s all ruined. Sounds
enticing doesn’t it?
As Rob’s quest
to find Jimmy continues, he’s introduced to Julianne (Juli for short), who was
easily my first choice for best character. Juli’s sarcasm had two main
functions, 1) a trustworthy source of comical relief and 2) acting as a
constant reminder to think of the characters as actual people. It had an
additional function as common ground where I could personally relate to her,
being so sarcastic myself. I thought Rob displayed everything you would expect
a man to after losing his wife and supposedly losing his son. Take for example,
his blur between reality and self-comfort, his overwhelming desperation to find
his son, and his willingness to go to any length at any risk.
I appreciated
the fact that being a quick read didn’t hamper the story. However, my adoration
and love for this book only runs so deep. Which results in my being quite
confused on how I truly feel about Darlington Woods.
My confusion
lies in this: realistic and reliable characters, a plot line with outstanding
potential, and a talented author behind it all. Yet, still, with all these
pros, something just didn’t work for me.
Some scenes
became too “classic” (I guess that’s the right word) for me. Sort of like when
you’re watching a horror movie and you see a scene or a twist that’s been done
so many times it no longer has the original intended effect. I’m not saying the
story has been overdone, not at all. More or less what I mean is that every now
and then a specific scene would come along that tottered between the lines of
too classic and totally new.
Almost as if
he didn’t make EVERY scene is own. (Which is extremely vital in my opinion.)
It’s not his writing that’s at fault; instead, he seemed to not take full
advantage of each scene.
In Darlington
Woods, Dellosso uses a ton of “special effects”. As they played out in my
head, some just came across as too cheesy. Hopefully, you see that this flaw
could be completely my own; not everyone’s going to picture it the way I did.
(Hah! Another pro!) Each person who reads Darlington Woods will fill in
the gaps; no one can picture exactly what Dellosso intended. No two
people will see the same image or perceive the same sense from the same page.
In my case, I automatically saw them as I would see them in a movie; a cool
though, but a tad cheesy in production.
I’m not going
to say it was a terrible book; it really wasn’t at all. I’m not going to tell
you to boycott it and never even think about picking it up. Like I said,
Dellosso has become a preferred author in my eyes. It’s simply not my cup of
tea this time around.
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